Good ok bad review
Written by Good ok bad
Thursday, 27 October 2011 06:54
When age-spanning epics are called for, there are few so often drawn from the Great Well of Story Archetypes as the battle between order and chaos. In the realms of the human and the personal, some variation of Boy Meets Girl is undoubtedly the go-to narrative frame. But when a teller really wants to up the stakes and sell his audience either a cosmology or an apocalypse, only gods and monsters will do. And such a pairing (almost until the postmoderns) demands Order in one corner, girded and ready, honed to perfection and waiting with grim determination to show ropes to Chaos, who spills out over the opposite corner, spoiling for blood and violence and the reckless anarchy of the brawl. It’s the story of Yahweh and Lucifer, of Marduk and Tiamat, of Feanor and Melkor, of Gandalf and Sauron. And it’s the story of Bertrand Russell as romantically couched by Apostolos Doxiadis and Christos H. Papadimitriou.
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